The Boldons

The Boldons are a group of three South Tyneside villages – East Boldon, West Boldon and Boldon Colliery – located to the south of the Borough of South Tyneside, heading towards Sunderland.

In 2014 the British Library loaned one of its most treasured items – the earliest surviving copy of the 12th century ‘Boldon Book’ – for display at South Shields Museum & Art Gallery. Created in 1183 as a survey of the Bishop of Durham’s lands in Northumberland and Durham, the Boldon Book has been called the ‘Domesday Book of the North’. It was the first survey of settlements north of the River Tees, an area that was omitted from the Domesday study. Only four early manuscript copies of the Boldon Book survive.

Boldon Book page

The entry for Boldon in the Boldon Book. Image courtesy of the British Library.

The township of Boldon is one of the book’s earliest entries, listing how many days of the week people had to work for the Bishop, how many hens or cattle they had to give him and how much money they owed. The book gets its name from later entries in the document, which use “as at Boldon” as short-hand.

The loan of the British Library’s Boldon Book in 2014 helped to raise awareness and stimulate interest in the Book and its importance to the Borough. This year Tyne & Wear Archives & Museums are working with local community groups and schools to capture their responses to some of the themes raised by the Boldon Book (such as society, commerce, and citizenship), marking a moment in time just as the Boldon Book did.

Outcomes from the project will be highlighted in an exhibition at South Shields Museum early next year, which will include the loan of another priceless early manuscript of the Boldon Book, alongside enhanced interpretation.

My colleagues were keen to know what we had in the museum collections relating to the villages of East Boldon, West Boldon and Boldon Colliery. I consulted the catalogue and turned up some lovely items, which I’d like to share with you in this blog. The items were all either owned by or associated with people who lived or worked in the villages, relate to an aspect of life in the Boldons, or depict the villages and their people in photographs or artworks…

Postcard, 1904

This postcard, showing a view of Front Street, East Boldon, was sent to Mr & Mrs McKendrick in December 1904, “with best wishes to all for the season”.

A postcard from of East Boldon village

A postcard from East Boldon village. TWCMS : 2000.2076

Boldon Mill, 1897
watercolour, gouache and pencil on paper
by James Miller Brown

This is a sentimental and tranquil depiction of life in Boldon in 1897. The simple composition and dream-like purples and blues of the sky give the picture a feeling of calm.

'Boldon Mill', a watercolour by James Miller Brown, 1897

‘Boldon Mill’, a watercolour by James Miller Brown, 1897. TWCMS : J12937.2

Egg cups, 1950s

A pair of egg cups in the shape of rabbits, owned by ‘Billy’ and ‘Margaret’. These were given to the museum in 1997 by Miss M. Armstrong of West Boldon.

A child's egg cup featuring a rabbit, 1950s

Margaret’s egg cup, 1950s. TWCMS : 2002.1021

A child's egg cup featuring a rabbit, 1950s

Billy’s egg cup, 1950s. TWCMS : 2002.1020

Tea cup, saucer and tea plate, 1950s

A tea cup, saucer and side plate decorated in a grey-blue transfer printed design of flowers and birds. The design is called ‘Cottage Rose’. These were specially manufactured by Enoch Wedgwood for Ringtons – the Newcastle tea merchants – and could be obtained from the firm by saving up coupons issued with their packets of tea. The trio was owned by Mrs Mary Arrowsmith (née Hutchinson) who grew up in Boldon Colliery in the opening years of the 20th century. Her first name was actually Griselda, but she was called by her middle name. Mary lived in Boldon Colliery all her life. Her husband worked at Harton Farm.

A tea cup, saucer and tea plate in the Cottage Rose pattern, 1950s

A tea cup, saucer and tea plate in the Cottage Rose pattern, 1950s. TWCMS : 2007.5532

Clothing book, 1947-48

Clothing coupons for a child, 1947-48, issued to Charles Armstrong (born 1943) who lived at 74 Charles Street, Boldon Colliery. Clothes rationing was introduced in June 1941 and ended in May 1949.

A child's clothing book, 1947-48

A child’s clothing book, 1947-48. TWCMS : 2007.5533

Coupons inside a 1947-48 child's clothing book

Coupons inside the clothing book. TWCMS : 2007.5533

 

 

 

 

 

 

 

 

 


Ration book
, 1953-54

A Ministry of Food ration book, 1953-54, issued to Doreen Armstrong (born 1947) who lived at 48 Hardie Drive, West Boldon. Bacon, butter and sugar were first rationed in January 1940, followed by meat, tea, jam, biscuits, breakfast cereals, cheese, eggs, lard, milk and canned and dried fruit. Fresh vegetables and fruit were not rationed, but supplies were limited. Rationing didn’t end in Britain until 4 July 1954.

A ration book, 1953-54

A ration book, 1953-54. TWCMS : 2007.5534

Coupons inside a 1953-54 ration book

Coupons inside the ration book. TWCMS : 2007.5534

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Bus timetable, mid 1950s

A timetable and fare list for the popular Economic Bus Service – Seaburn & Boldon Colliery via Whitburn, Cleadon, East & West Boldon.

Economic Bus Service timetable, mid 1950s

Economic Bus Service timetable, mid 1950s. TWCMS : 2008.342

Photograph, 1921

A group photo of men and women at a fancy dress ball at the Miners’ Hall, Boldon Colliery, dated 1921.

A fancy dress ball at the Miners' Hall, Boldon Colliery, 1921

A fancy dress ball at the Miners’ Hall, Boldon Colliery, 1921. TWCMS : 2007.3093

Coal, about 300 million years old!

This coal was mined at Westoe Colliery, South Shields. Drew Robertson worked there from 1980 until 1994. Each New Year’s Eve, according to the Scottish tradition of Hogmanay, he would give his neighbours in Boldon Colliery a piece of locally mined coal to symbolise warmth, a cake symbolising that the household should never go hungry and salt, symbolising wealth and prosperity.

Coal mined from Westoe Colliery, South Shields

Coal mined from Westoe Colliery, South Shields. TWCMS : 2008.1545

Toiletry set, 1939

Frederick Carroll started his working life in Boldon Colliery, but he ran away to sea aged 16. This toiletry set was presented to Frederick by the Mayor of Jarrow, for his actions on board HMS Exeter during the Battle of the River Plate in 1939. This was the first major naval battle of the Second World War, when three allied warships took on the formidable German battleship the Admiral Graf Spee off the coast of Argentina and Uruguay. Frederick was mentioned in dispatches following the engagement; he went on to become a torpedo expert and his whereabouts during the War were always secret.

Toiletry set presented for valour aboard HMS Exeter, 1939

Toiletry set presented for valour aboard HMS Exeter, 1939. TWCMS : 2009.2221

Savings bank book, 1933

A Boldon Industrial Co-operative Society Small Savings Bank book, issued to Miss Eleanor Armstrong, used 20 January 1933 to 21 June 1934. Eleanor was born in Bill Quay, Gateshead, in 1914. Her parents ran pubs in Pelaw, Hebburn and Jarrow.

A Boldon Industrial Co-operative Society Small Savings Bank book, 1933

A Boldon Industrial Co-operative Society Small Savings Bank book, 1933. TWCMS : 2010.4527

Train ticket, 1960

An ‘Edmondson’ type railway ticket for a 2nd class single journey from South Shields to East Boldon. The fare was 1s 1d.

Train ticket, South Shields to East Boldon, 1960

Train ticket, South Shields to East Boldon, 1960. TWCMS : 2011.1941

Magazine, 1951

A magazine titled The Boldon Book, being the parish magazine of St. Nicholas Hedworth, St. Nicholas West Boldon and St. George East Boldon. Includes news of a garden fete: “The morning of July 7th was dull and showery, but at mid-day the clouds began to clear and by the time Mrs. E. Harrison declared the Fete open the sun was shining and all was bright and cheerful”. Divine intervention, perhaps?!

The Boldon Book parish magazine, 1951

The Boldon Book parish magazine, 1951. TWCMS : 2011.3071

Plate, 1923

A commemorative plate marking the Golden Jubilee (50 years) of Boldon Industrial Co-operative Society – June 1873 to June 1923. Pictured on the plate are the Society’s various branches: ‘East Boldon’; ‘Harton’; ‘Central Premises’; ‘Pelaw’; and ‘Charles Street’.

Boldon Industrial Co-operative Society golden jubilee plate, 1923

Boldon Industrial Co-operative Society golden jubilee plate, 1923. TWCMS : 2011.3164

Contract, 1931

A ‘Form of Contract, General Conditions and Specification for the Construction and Completion of 65 Dwellinghouses for Aged Persons on the Boldon Colliery Housing Site’. Specifications included: “All plastered wall surfaces are to be clearcoled and twice distempered with washable distemper of approved manufacture and tints. The coalhouses, sculleries, and larders to be twice lime washed.”, “Provide in scullery a Belfast pattern glazed stoneware sink 27in. x 18in. x 10in. with brass waste plug and chain and fix same on strong galvanised or coated iron brackets.”, “Provide and fix galvanised iron Clothes Hooks of approved design, two per house.”, “Provide and properly set in Living Room a Yorkshire Range, with side Boiler and Tap, p.c. £7 5s 0d., also Bedroom Register, p.c. £1 5s 0d.”

A contract for the construction of 65 houses for 'aged persons' at Boldon Colliery, 1931

A contract for the construction of 65 houses for ‘aged persons’ at Boldon Colliery, 1931. TWCMS : 2011.3198

Photograph and memorial plaque, First World War

A First World War memorial plaque presented to the next-of-kin of Private George William Frame, 8th (Service) Battalion, Northumberland Fusiliers, who had worked at Boldon Colliery prior to his war service.

George died age 25 on 26 September 1916, a casualty of the Battle of the Somme. He is commemorated locally on the following rolls of honour and memorials: Durham Miners’ Association Boldon Lodge Roll of Honour; Boldon Colliery Workmen War Memorial (now located inside the Royal British Legion, Boldon Colliery); St. Simon’s Church, Simonside, South Shields (Chancel Screen); and Wenlock Road Methodist Church Memorial Cross, South Shields.

Photograph of Private George William Frame, Northumberland Fusiliers

Photograph of Private George William Frame, Northumberland Fusiliers. TWCMS : 2014.2111

Memorial plaque presented by the Boldon Lodge of the Durham Miners' Association to the next of kin of George William Frame

Memorial plaque presented by the Boldon Lodge of the Durham Miners’ Association to the next of kin of George William Frame. TWCMS : 2014.2112

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Plaque, 1929

A bed at the Ingham Infirmary, South Shields, was endowed in memory of Miss Isabella Lawson of Pikeshole Farm, West Boldon, in 1929.

Plaque in memory of Miss Isabella Lawson, 1929

Plaque in memory of Miss Isabella Lawson, 1929. TWCMS : 2013.201

 

Photograph, about late 1920s

This photo, originally published in the Newcastle Evening World, shows members of Boldon Amateur Operatic Society in a scene from their production of the Gilbert & Sullivan opera The Yeoman of the Guard – set at the Tower of London in the 1500s.

A photograph of members of Boldon Amateur Operatic Society, about late 1920s

A Boldon Amateur Operatic Society production of The Yeoman of the Guard, about late 1920s. TWCMS : 2016.387

 

Programme, 1961

A programme for the formal opening by Councillor G. Robinson of the West Boldon Residential Nursery at 33 Tennyson Avenue, Boldon Colliery, on Monday 18 September 1961. The first of its kind in the north of England, the nursery was different from others in the area in that it was intended to accommodate 12 children under three, and because it had been built on a housing estate. The majority of nurseries at the time catered for up to 25 children. Those at West Boldon nursery were intended to be from families where, perhaps, mother was in hospital or there was other temporary domestic upheaval. After the official opening, the civic party repaired to North Road Infants’ School for tea, buns and speeches.

An exterior view of West Boldon Residential Nursery, 1961

An exterior view of West Boldon Residential Nursery, 1961. TWCMS : 2011.3072

 

Interior view of West Boldon Residential Nursery, 1961

Interior view of West Boldon Residential Nursery, 1961. TWCMS : 2011.3072

South Shields Museum & Art Gallery collects and displays items relating to the people and places of South Tyneside. As well as South Shields and Jarrow, which are currently well represented in the museum, we also collect items with a link to Hebburn, Whitburn, Cleadon, the Boldons and all the Borough’s other locales and neighbourhoods. My Boldon rummage revealed that, while we have some fascinating items, we don’t have as much relating to that area of the Borough as we’d like. We’d be delighted to hear from anyone who would consider donating anything Boldon-related, so please get in touch if you think you can help!

Exhibition Explorers share their latest discoveries

Our Exhibition Explorers have been having a busy time getting out and about to all sorts of cultural venues this month! Here’s what they shared with us through the ‘Exhibition Explorers Encyclopaedia’ at their latest session:

Sharing the Exhibition Explorers Encyclopaedia

Sharing the Exhibition Explorers Encyclopaedia

Fred brought us a beautiful, glitter-filled page about his visit to the Great North Museum: Hancock. Inspired by the animals he saw he’d stuck lots of patterned feathers onto it. Fred also enjoyed getting up close to fish and dinosaurs. Museum Mice for under 5s is worth a visit, and this summer you can also make masks, get up close to real bugs and go on a bug hunt around the museum!

Alex had a great time at Whitley Bay Carnival, where he saw lots of bands, circus acts and performers, and enjoyed delicious food and fairground rides, all at the end of his street! Alex tells us he liked dancing to the music and ‘being chased by wolves’ – altogether it sounds an amazing day! Check out some of the action in these videos.

Sophie had a very busy day at Little Town (now known as Tiny Town) and the family gave it 10 out of 10! We loved the photos of Sophie hard at work in the kitchen, shop, restaurant and building site – definitely somewhere to fire the imagination (and we hear the cake in the cafe is excellent too!) Check out the photos of the play environments at Tiny Town here.

Baltic also got 10 out of 10 from Evie and her family. They found so much to do there, including bird watching, building, playing with magnets, colouring in, imaginary play and of course lots of exploring in the big open spaces and fast lifts! There’s lots on offer for little ones in Quay. Drop in every weekend to get hands-on with Busy Bs, and enjoy a Family Quest on Saturdays – a great way to learn about the art in an informal and imaginative way, with games and creative activities.

Next session is the final one of Exhibition Explorers – we’ve learned so much from this amazing research project and it’s really shaped our Early Years offer. We’re looking forward to new adventures in series 2 of the project, which launches in July – find out more and book tickets here.

Hiding under the lycra

Hiding under the lycra

Lycra songs and games

Lycra songs and games

Discovering which museums and galleries other families have visited.

Discovering which museums and galleries other families have visited.

 

 

‘All Surface, All Form’: A Guest Post by Poet in Residence Joanne Clement

Last Winter, I began visiting the Shipley Art Gallery to familiarise myself with their collections whilst researching for my PhD. For the study, I am examining the engravings of Thomas Bewick to write a new collection of poems. As Bewick’s creative legacy is spread across Tyne and Wear Archives, I spend lots of time in museums and galleries looking at their Bewick holdings as well as the wider collections they house. For me, artworks and archives hold a world of creative potential and I am especially interested in their socio-historical relevance and above all, the poetry embedded within them.

‘Thomas Bewick's Birds. Photograph my own, with thanks to The Natural History Society Northumbria’

‘Thomas Bewick’s Birds. Photograph my own, with thanks to The Natural History Society Northumbria’

Spending time in TWAM for my research really is the best job in the world. Earlier this year, I was excited to become the Shipley’s Poet in Residence as part of Write Around the Toon, a project which aims to place writers from Newcastle University into major cultural venues of the region. Residency is an interesting concept for a poet as very often you ‘live in’ your practice and take it with you, whenever and wherever you go. With the aim to do more than write poems in response to the collections here, I was eager to go beyond an insular residency and instead, to share my research and engage my practice and interests with the local community through workshops.

We put out a public call for participants to join in poetry workshops and I soon met a local group of writers called ‘The Scribblers’. As a reader of Romantic literature the group’s name had exciting connotations for me; I thought of the ‘Scriblerus Club’, a collaborative association of 18thC satirists. Fittingly, my group were fantastic fun from the outset, welcoming and willing to try out new writing activities. I led workshops in response to a variety of the Shipley collections.

Blaydon Races’ William Irving (1903). Photograph my own with thanks to Tyne and Wear Archives and Museums’

Blaydon Races’ William Irving (1903). Photograph my own with thanks to Tyne and Wear Archives and Museums

One painting that especially caught my attention was William Irving’s ‘The Blaydon Races’. A snapshot in oil, it depicts a day off in 18thC North-East and its carnival atmosphere. I’m a huge fan of the folk song by Geordie Ridley. It’s a much-loved unofficial anthem which seems to transcend the Tyne divide, inspiring all who know it to join in…regardless of how well you can sing. In one session, after a close reading of some poems, we sat in front of Irving’s painting and after a sing-song, over the course of two hours we examined the painting, picked out figures and wrote in response.

The resulting work was vivid, musical and full of authentic historical character. We had poems on gamblers, fighters, lovers, a dog and even a sleeping drunk. At The Late Shows in May, the group performed an impressive selection of these Blaydon poems, bringing the painting to life for the audience. These poems are currently on display in the Shipley Lounge and I highly recommend you pop in for a read, then go take in the gallery’s brilliant collection.

Alongside the workshops, in response to the new exhibition ‘Surface Deep’ and the 1960s theme chosen for The Late Shows, I began developing writing on the topic of the moon landings. My writing soon developed into a different animal (as they often do) and became a meditation on the seas of the moon, notions of ‘the alien’ and the current refugee crisis. From this, I developed a poem-film with a stirring sound composition, an ekphrastic response by Phil Begg. The poem-film transports viewers into the vacuum of space, poised upon the (un)natural and considering geographic and emotional distance. ‘Lunar Mare’ played throughout the Late Shows. I look forward to discovering what the residency will inspire next.

https://www.youtube.com/watch?v=Iv1xacmI98o

Click on the video above to watch Lunar Mare (2016), a collaborative poem-film by Joanne Clement and Phil Begg. 

The charming 19th Century tale of Miss Abbs and Peter the Hedgehog – A guest post by Helen Chester

My name is Helen Chester and I am a Library Volunteer at the Great North Museum: Hancock Library.  The Library contains the collection of the Natural History Society of Northumbria which is full of fascinating books on wildlife.  I came across a charming and resonant account of the relationship between humans and the natural world from the late 19th Century.

In the summer of 1886, the renowned naturalist and taxidermist John Hancock found two baby hedgehogs on the grounds of his estate at Oatlands in Surrey.

John Hancock Portrait

John Hancock Portrait

In the article “History of the early life of a hedgehog”, from the Natural History Society’s Transactions, Hancock explains that:

“The young hedgehogs were not able to see or feed themselves, and as their parents could not be found we took them into the house, and a system of feeding them had to be established.”

The baby hedgehogs were found during the evening, on June 30th and were taken into the care of a Miss Rachel M Abbs, a resident of Cleadon, South Tyneside, who was visiting Hancock at the time.  The hedgehogs were called Billy and Peter.  In the book “The Secret Life of the Hedgehog”, Liz Bomford explains that the gestation period for hedgehogs is about 30-40 days.  Hedgehogs give birth to litters from late May through to October, with the month of June seeing a peak in hedgehog births.  September sees mature hedgehogs giving birth to a second litter, and hedgehogs born during the previous year giving birth to their first litter, although these can struggle to survive the winter.  Hedgehogs can have between two and nine babies in a litter.  Like Miss Abbs, Bomford hand reared a baby hedgehog, which in this case, had been born into a litter too large for the mother to cope with.  The fathers don’t tend to have contact with the litter.  New-born hedgehogs need regular feeding and warmth to survive.  As mammals, they do not have teeth when they are born and require milk.  Miss Abbs built an apparatus for the hedgehogs to suckle, which consisted of

“a quill, with a piece of perforated wash leather tied on to the end.”

Billy sadly died eight days after the hedgehogs were discovered and Hancock, using his considerable taxidermy skills,

“stuffed this pretty little creature.”

A wood engraving of a Hedgehog by Thomas Bewick

A wood engraving of a Hedgehog by Thomas Bewick

On a happier note, Peter was doing well and travelled with Miss Abbs when she went on a visit to Lincolnshire on July 12th (twelve days after the hedgehogs were found in Hancock’s garden).  He had just opened his eyes for the first time.  This tends to happen at two weeks old.  For the next few weeks, Miss Abbs informed Hancock of Peter’s progress through a series of letters.  Six days after the journey to Lincolnshire, and eighteen days after he was discovered in Hancock’s garden, Miss Abbs was taking Peter (who had developed some front teeth) into the garden every evening and catching insects and slugs for him to eat.

“Peter’s supper last night was five white slugs which he ate with great relish. Moths are his favourite dainty. He will eat small horse flies, but refuses bluebottles. He is very tame, loves to be nursed and kept warm, and likes to nibble and lick my hand if I let him creep about me.”

In the wild a baby hedgehog starts to accompany its mother on foraging trips at between three and four weeks old.

By the time Miss Abbs sent her fourth letter (which was written sometime between July 28th – four weeks after Peter was found – and August 10th – nearly six weeks after Peter was found), Peter had all his teeth and was able to eat finely chopped meat and biscuits soaked in milk.  By August 10th, he had started to hunt for himself and was also foraging for fruits.  Milk now made him sick and he preferred water.  In the wild, hedgehogs tend to be weaned at four to six weeks of age, and start to hunt for themselves at about five weeks.  One particularly amusing story recounts how:

“The other day a spice loaf had been put on to the pantry floor to cool, and Master Peter was found with his fore feet upon it, and a hole eaten in the loaf.”

Hedgehog illustration attributed to Edward Lear

Hedgehog illustration attributed to Edward Lear

Liz Bomford  explains that hedgehogs of this age often explore different feeding sites and experiment with different food sources.  They specialise in various kinds of food, depending on the chosen feeding location.

Peter travelled to Newcastle with Miss Abbs on September 3rd, and returned to John Hancock’s estate on the 13th, nearly two and a half months after he was first discovered.  At this time he was practically independent.

Peter had become a relaxed and confident traveller and appeared to enjoy his experiences of being transported by train.

“Travelling did not disconcert him at all, as he would come out of the basket when the train was going at express speed, take a drink of milk from a saucer carried for him, and then creep back into his basket.”

A nest was built when he returned, but three weeks later he found his own accommodation in the wild and only came back in the evening for a meal of fruit, bread and milk which was regularly put out for him.

Hedgehog image from an 18th Century book by Albertus Seba

Hedgehog image from an 18th Century book by Albertus Seba

Miss Abbs remarks that there were a large number of hedgehogs resident in the garden at Oatlands. Sadly hedgehogs in the 21st century are experiencing many problems and their numbers have declined sharply. If you find a hedgehog that you think may be in trouble, it is best to seek expert advice as they are difficult animals to look after and should, if required, be hand-reared by an expert.  Organisations that can provide information on this subject include the RSPCA

(http://www.rspca.org.uk/adviceandwelfare/wildlife/orphanedanimals/younghedgehogs)

and the British Hedgehog Preservation Society

(http://www.britishhedgehogs.org.uk/found-a-hedgehog.php).

One important piece of advice on feeding hedgehogs is that they should never be given milk to drink, as Peter was. This is harmful to them and they should only be provided with fresh water.

If you would like to read the full account of the story of Peter or any of the books listed below, they are all available at the Great North Museum: Hancock Library and can be loaned if you are a member of the Natural History Society of Northumbria.  The Library has a wonderful collection of material on the natural world, local heritage and archaeology. The images of hedgehogs included in this blog are all from books in the NHSN collection.  The Library is free to use and open to everyone. Further information can be found on the following website.

https://greatnorthmuseum.org.uk/collections/library-and-archives

Bomford, L. (1979). Secret Life of the Hedgehog. London, Hamlyn Publishing Group.

Hancock, J. (1890). “History of the early life of a hedgehog”.  Transactions of the Natural History Society of Northumberland, Durham, and Newcastle-Upon-Tyne, vol. 10, pp.214-18.

Morris, P. (2006). The New Hedgehog Book.  Stowmarket, Whittet Books.

What ever happened to Saltwell Park Museum? (Part 2)

Read Part 1 of What ever happened to Saltwell Park Museum?

Saltwell Park Museum 1955 Brochure back

Back cover of a brochure from the 1950s advertising Shipley Art Gallery and Saltwell Park Museum.

Saltwell Park Museum and Saltwell Towers have a close connection to another Gateshead building, the Shipley Art Gallery. Their stories are connected to another man who lived in the Towers and made a lot of money from the Industrial Revolution.

Joseph Ainsley Davidson Shipley was a Newcastle-based solicitor who moved in as the tenant of Saltwell Towers after William Wailes died in 1881. Joseph Shipley liked art and with his wealth built up a large collection of 16th and 17th century Dutch paintings. When he died in 1909 his collection was offered to the Gateshead Corporation.  In 1917 the Shipley Art Gallery was opened, built by the Gateshead Corporation: it is still a public building today. The ‘Shipley Bequest’ of paintings formed the basis of its collection.

Joseph Ainsley Davidson Shipley, a wealthy solicitor who liked art and left his collection of 16th & 17th century Dutch and Flemish paintings to the Gateshead Corporation.

The Shipley Art Gallery was built during a period that would mark the beginning of the end of the British Empire and its global superiority. Near bankrupt by the First World War, the British Empire would continue to hang on to its dream of global domination for another half century, but in reality its peak of wealth, influence and power had waned and it was in decline. The next two decades following World War I would see a period of intense social and political upheaval and change.  Mass unemployment caused by a severe global depression, another looming global conflict and an emergence of totalitarianism in Europe would all have a major impact on Tyneside and the people who lived there.

In 1929 the North East Coast Exhibition was held at Exhibition Park in Newcastle upon Tyne. Memorabilia made for the exhibition was steeped in nationalism, flag waving and the faces of the Royal Family on mugs.

P1578

Memorabilia from the 1929 North East Coast Exhibition showing Edward, Prince of Wales smoking a cigarette.

At one time Tyneside and the North East of England was called the ‘Workshop of the World’. Tyneside’s heritage has been largely created and constructed on the basis of its experience of the Industrial Revolution; its legacy is still, to this day, something that the region holds onto and there remains a lot of pride and promotion concerned with it.

The 1929 North East Coast Exhibition in Exhibition Park, Newcastle, would be the first time the region would present this as ‘History’ and proclaim its heritage and status to the world as a very considered and very political public relations exercise. It echoed the Jubilee Exhibition that was held on the same site in 1887, a time when the British Empire was at its peak. It is from the 1929 North East Coast Exhibition that the Newcastle Science Museum would be created, a museum which would later evolve into Newcastle’s Discovery Museum. It was the start of the ‘Heritage Industry’ in the North East. It’s not a coincidence that in 1933, possibly motivated by political and regional rivalry and in keeping with the prevailing zeitgeist, Gateshead Municipal Borough would open the ‘Gateshead Local & Industrial Museum’.

More memorabilia from the 1929 North East Coast Exhibition showing Edward, Prince of Wales in a top hat and an illustration of the park and buildings.

On a very basic level museums are generally assumed to be about preserving and looking after the history and heritage of a culture; this is something we’ve come to expect and maybe in some ways take for granted. Public or Civic museums are a relatively new thing if we consider they only started to emerge in the early 20th century and it’s interesting to trace their evolution and the conditions from which they came into being. Museums create and present a sense of place and try to tell a story about why things exist and what that means for people. They are about learning and knowledge and try to bring communities together around an idea.

Museums can function for many different reasons but in essence they are hugely political tools and the kind of stories being told and the way they are told depends on who is telling them and why. Museums are used to promote a sense of place but they also help provide one. If a town, city or metropolitan area doesn’t have a museum what does that mean?

Before 1933, Gateshead didn’t have a museum. It had an art gallery – a really good one with a collection of ‘Old Masters’ – but it didn’t have a museum. So in 1933 the Gateshead Parks Committee agreed to open a museum in Saltwell Towers, which it still owned.

blog4

An original label from Saltwell Park Museum.

During World War I (1914–1918) Saltwell Towers had been used as a military convalescence hospital but from 1923 it had been empty and without a tenant. The curator of the Shipley Art Gallery at this time, Matthew Young, would be given responsibility of managing the new museum and the renovated building. An assistant curator/caretaker for the museum was employed. He was called Frank Young although he wasn’t related to Matthew. Frank would live in the museum in the park with his wife Bella up until his death in 1943. All the original object labels from when the museum opened were hand written by Frank and a lot of them have survived the intervening 80 years.

Photographs from inside Saltwell Park Museum from a 1930s edition of ‘North Mail’ newspaper showing Assistant Curator, Frank Young at work and some children looking at ‘The Golden Goat’.

Before its opening the museum didn’t have a collection, it had to create one and it did this by getting people who lived in Gateshead to donate to it. Most of these people were from the middle class of Gateshead, people with money, means and influence within the borough. They contributed to the collection of ‘Historical’ objects and, whether consciously or not, promoted their ideas of what ‘History’ was and what that should mean for people. The museum also received donations from other museums, in particular the Hancock Museum in Newcastle, whose collection was made up primarily of ‘Natural History’.  The ornithologist, taxidermist and landscape architect John Hancock, whose collection formed the basis of the Hancock museum, would stuff birds shot by the Liddell family. The Liddells were a rich family who lived in Ravensworth Castle near Gateshead. The Ravensworth collection of taxidermy would end up in Saltwell Park Museum.

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A Goshawk. Taxidermy from Saltwell Park Museum. Many of these birds came from ‘The Ravensworth Collection’ of taxidermy. Photo Credit: Karolina Maciagowska

There are not many photographs from inside Saltwell Park Museum. But its collection and displays reflected a particular Victorian and Edwardian view of the world. It is a collection that concerned itself with the British Empire, Britain’s status in the world and pride in the ‘industrial activity’ within its locale. It had exotic ideas about other cultures and did not consider the ethics of its Natural History collection in the way we would today. It was a museum of its time and the view point was that of a patriarchal, white and mostly male-dominated society. As with other regional and ‘Local’ museums that opened in Britain in the first half of the 20th century, it was an attempt by a local council to replicate the kind of collections that rich aristocratic families would display in their large stately homes, displays of wealth and power.

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The ‘Victorian Room’ at Saltwell Park Museum. Photograph from the 1950s.

The Museum was also the local council’s way of creating a sense of place for people, establishing a coherent historical narrative for the town and imbuing a sense of ‘civic pride’. They did this by displaying the products and evidence of a once thriving local industrial base: glass, pottery, ceramics, iron, coal, rope, cables, brick manufacture and ship building.  An industrial base that was in deep decline.

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An original label from Saltwell Park Museum.

Here is an excerpt from the ‘Proceedings of the Society of Antiquaries, Newcastle upon Tyne’ published in 1933 and written by Walter H Young (no relation to either Frank or Matthew) about the new ‘Municipal Museum. Gateshead’:

“For some years past it has been felt that a Town’s Museum would be of interest and educational value; and to some of the more active minded citizens of the borough, it was obvious, that there stood, ready to hand, and in the most attractive of surroundings possible in an industrial town, a building which would only need renovating and modernising to be worthy to house, for some years to come, a representative series of exhibits showing the history and industrial activities of the district.”

What ever happened to Saltwell Park Museum? Part 3