The changing attitude towards German migrants in Britain

A guest post by Lauren Haikney, a History student at Durham University.

The advent of the First World War was a defining event in the lives of civilians as well as those in the military.  So-called ‘enemy aliens’, people who had settled in territories which were now at war with their homelands, have until recently been overlooked in the study of the war.  North-East England was home to a thriving German community, with many of the immigrants having lived in the region since the mid-nineteenth century.  German Evangelical churches had sprung up in South Shields and Sunderland, and German butcher’s shops were common; at the same time, many of them anglicised their names and became naturalised.  However, with the war came frenzied anti-German sentiment whipped up by the press; the Germans’ commitment to integration would not count for much.

Months of well-publicised spy-scares and German military atrocities, culminating with the torpedoing of the Lusitania passenger liner in May 1915, sparked the outbreak of rioting across the country in that month.  Violence in the North East was concentrated in Newcastle and South Shields, where on the night of the 15th May 1915, it was reported that 7,000 rioters assembled in the Market Place, destroying shops belonging to Germans and shouting, “Remember the Lusitania!”.  But more personal issues were also at play.  A young Gateshead labourer named Arthur Adams received news on 10th May that two friends had been killed at the front.  His response was to enter the butcher’s shop owned by Charles Frederick Seitz, and to attack the startled German with a brick, forcing him to barricade himself in the back room.

TWCMS: 2001.4958 A photograph from the South Shields Museum & Art Gallery collection of Market Place in South Shields

TWCMS: 2001.4958 A photograph from the South Shields Museum & Art Gallery collection of Market Place in South Shields

Fortunately, it seems Arthur Adams was not representative of the North East as a whole.  Many local people stood by their German neighbours in the face of the mob.  On the night of the 15th May, the butcher’s shop owned by Frederick Seitz (a distant cousin of C.F. Seitz) came under attack.  A twenty-year-old South Shields woman, Matilda Carney, was inside at the time.  As a domestic servant of the Seitz family, she was caught between two loyalties.  Yet Matilda decided to protect the German family, aiding the escape of Mrs. Seitz and her five young children, and sheltering them at her own house overnight.  For some, the wartime rhetoric of the murderous German barbarian did not infiltrate their personal relationships with the real Germans who lived alongside them.

STH0004368 A photograph taken from South Tyneside Libraries collection (www.southtynesideimages.org.uk) of Fred Seitz & Sons’ Pork Butcher shop, which was situated at 11 Market Place

STH0004368 A photograph taken from South Tyneside Libraries collection (www.southtynesideimages.org.uk) of Fred Seitz & Sons’ Pork Butcher shop, which was situated at 11 Market Place

 

The war eventually saw the internment of most German men of military age (between 17 and 55), and widespread deportation.  In this legislation, the government took its lead from the anti-German press, the mobs of 1915, and the increasingly reactionary feeling in parliament.  But it is important to remember that the war did not turn all British people into violent anti-German rioters.  Those who remained loyal to their long-standing German friends, neighbours and colleagues also deserve their place in the narrative of the German community during the First World War.

‘The Germans within our gates’ taken from the Illustrated Chronicle, on 6 August 1914 reproduced by the kind permission of Newcastle City Library

‘The Germans within our gates’ taken from the Illustrated Chronicle, on 6 August 1914 reproduced by the kind permission of Newcastle City Library

 

Lauren is currently writing her dissertation, ‘Germans and Geordies:  The Great War and the German Minority of Newcastle and South Shields’.  Her research has contributed to Tyne & Wear Archives & Museums’ new online exhibition, ‘The Kuch family on Tyneside:  A story of changing attitudes towards German migrants in Britain.’ Click here to view it on Google Cultural Institute.

Places to go & things to do: embarking on our Family Adventures!

At the second Exhibition Explorers session we were delighted to find so many of the group had been on a Family Adventure to a museum or gallery, and returned with their completed scrapbook page to share their discoveries. Exhibition Explorers is an exciting six month journey for a cohort of sixteen 1 and 2 year olds and their grown ups, focused on discovering new ways of enjoying galleries and museums together. Between each session we encourage everyone to embark on a Family Adventure, and to come back and share what they discovered about engaging this age group in museums and galleries.

Here are some of the places the Exhibition Explorers families chose to visit this month:

  • Seven Stories: the National Centre for Children’s Books: We heard about the roleplay, dressing up, and play opportunities. The free story times were a big hit with Exhibition Explorer Alex; mum tells us he was ‘spellbound for the full 30 minutes – no mean feat when you’re 2!’ Seven Stories has lots of events and activities such as Sensory Stories, and its Rhyme Around the World exhibition – about nursery rhymes from around the world – is fantastic for the very young. ‘The adult and toddler pass is good value and means that we often go for an hour or so, have lunch, then see the animals at Ouseburn Farm next door’ Alex’s mum told us: if you’ve not yet explored the Ouseburn Valley it’s worth a visit.
  • Polar Explorers at Great North Museum: Hancock proved a great day out for Exhibition Explorer Molly. This exhibition has been specially designed for under 5s, helping them to discover life in the Arctic through sensory and accessible stimulation. There are lots of animal footprints to discover, which Molly was particularly intrigued by. It’s worth combining a visit with Saturday Storytime or a Museum Mice play session.
  • The National Trust’s Cragside was scored 9 out of 10 by one Exhibition Explorer family. We heard how Annie really enjoyed exploring the house, especially the bathroom, kitchen and toilets! Lots of different colours, textures and light and dark spaces to explore made it an exciting space for this age group, and the adventure playground provided a great chance for a run around outdoors. There are lots of activities at Cragside, especially during school holidays – but this visit shows that just visiting the house without going to any special activities can be fascinating for young children.
  • Laing Art Gallery also offered a range of textures for little fingers to explore, with hands on exhibits alongside the artworks. Perhaps the most exciting thing was the button alongside the John Martin paintings, which provided thunder sound effects to bring these dramatic landscapes to life, and colour changing lighting cast on the paintings. There were also interesting things to spot in the glass cases – Exhibition Explorer Fred was very interested in the elephants and bats on one of the decorative objects, and the height of the display case allowed him to have a good look at it. The under 5s play area had some fun ‘peek-a-boo!’ spaces to enjoy. It’s worth combining a visit with Little Artists every Tuesday during termtime.
  • Bamburgh Castle and Museum offered lots of interesting indoor attractions when one family visited on a particularly cold day. Exhibition Explorer Zoe loved the giant cow’s head mounted on the castle wall. Small handheld mirrors were great for helping children to look at the ceiling, and provided an interesting way for little ones to explore the space. The family loved exploring the ‘swords and knights and fancy rooms’, but mum did note that there were lots of breakable things which made it a bit nerve wracking to visit with small children. A run around on the nearby beach would have been welcome, but unfortunately it was too cold.
  • Discovery Museum prompted lots of drawings of happy people and boats on one family’s scrapbook page – which sums up the fun they had! There’s lots there for under 5s: Play Tyne is a water play area themed around the River Tyne, where children can get hands-on with the different ways water is used (a change of clothes is always useful!) And don’t miss Teddy Bear Tuesday on 5 April!
  • Little Town offers a variety of roleplaying areas, scaled down for children to enjoy. Zac had a busy day, building a wall on the building site, cleaning, shopping, posting letters, cooking and hairdressing. Little Town has been designed with Early Years practitioners to encourage interaction which helps develop language and communication skills. Zac’s family scored it 9 out of 10.
  • Life Science Centre came recommended by one family’s Health Visitor, for its stimulating Young Explorers Zone. Sophie enjoyed the exhibition ‘Robot‘ which includes robots, cyborgs and androids from TV and film and offered hands on activities for little ones. The special Pre-school Days are worth a visit, and take place once a month.

We added the families’ scrapbook pages to our special Exhibition Explorers Encyclopedia – a record of cultural venues to visit, which will grow alongside the children. Thanks to all the families who contributed tips and feedback on their Family Adventures – watch this space for where they visit next, and ideas of places to go with under 5s!

 

The Tube – a guest post by Michael Metcalf

When the Tube began, we had no idea that it would become such an important part of our lives.  We were a bunch of Geordies who were suddenly flying around the world and meeting the most amazing people.

One of the more memorable filming trips I went on happen in not some far flung exotic destination but in Birmingham!

We were going to do an interview with Grace Jones.  I cannot remember the exact location in Birmingham but that is not important.  As a huge fan of Grace Jones, I had even had my hair cut into a ‘flat top’ that she was known for having.

Arriving at the location we set up and waiting for Grace to arrive.  We were not to be disappointed.  When Grace exited the car, this towering Amazon stood before us and what an impact!  She had on a black cap covering her head and face, Micky Mouse Ears and huge sunglasses.

She then purred, ‘I haven’t had time to do my eyes, you will have to concentrate on my mouth’ which was a slash of red lipstick.

So being the Tube, that is what we did!  Most of the interview was shot in Big Close Up and we concentrated on her mouth, amazing!

After the shoot when we were de-rigging, Grace came over to me and patted my head and said ‘Oh my, your hair is just like mine’  I have to tell you that photograph is ‘some selfie’.

 

Another big memory for me was being in New York and filming a night out in New York.

We started at a club called ‘Danceteria’ which was on several floors, the top floor was having a retrospective for ‘Klaus Nomi’.

Klaus Nomi

Klaus Nomi was a German countertenor noted for his wide vocal range and an unusual, otherworldly stage persona.

Nomi was known for his bizarrely visionary theatrical live performances, heavy make-up, unusual costumes, and a highly stylized signature hairdo which flaunted a receding hairline. Wikipedia

Moving to a lower floor in the club, we ended up in a bar that played Country Music and the bar staff were Drag Queens in Cow Girl Outfits, which was a new experience for a TV crew from Newcastle.

We then travelled to The Roxy which had began as a roller skating rink and roller disco.

Beginning in the early 1980s, the owners began hosting dance nights. Referred to by many as the Studio 54 of roller rinks,these parties thrived for several years. Then, as the popularity of skating began to fade, the space was revamped into a dance club in 1982.

The Roxy was where we got to see ‘Vogue-ing’ and Breakdancing for the very first time.  While we were filming Rod Stewart came in and said hello to us.

However nothing had prepared us for ‘Paradise Garage’ which was our final stop of the night.

The club’s name derives from its origins as a parking garage. The Paradise Garage’s business model was largely inspired by David Mancuso‘s parties at The Loft: no liquor was served, there were no sales of food or beverages, and the club was not open to the general public.

 The unique and eclectic style of disco and dance music played at the Garage gave rise to the descriptive terms “New York house”, “garage”, “garage style”, and “garage classic” (to describe a record that was made famous at or is associated with the Paradise Garage). When the term “garage music” is used in reference to the Paradise Garage, it does not exclusively mean house music, although certain house track may be considered to be garage classics. Wikipedia

club

The Club on the night we were there was popular with the gay crowd, telling the guys I would go and get everyone a drink, I marched to the bar and asked for 13 pints of what ever they had!  I then learnt that they did not sell alcohol and could only offer me fruit juice, apples or pretzels.

Try telling that to a bunch of Geordies who had been up all night, filming in New York.

Great memories!

Michael worked in television for over 30 years as a Director and Producer and was involved with The TUBE from the very beginning as a Production Assistant during filming and then subsequently directing part of series 4.

He is now retired from television and heavily involved in charity work. As well as being on the committee for the Make A Wish Foundation, he is an Ambassador and mentor for Northumbria Coalition Against Crime, Chairman of Newcastle East Sea Cadets and Junior Vice President of Ponteland Rotary.

Michael became involved with Discovery Museum when he joined three ex colleagues from Tyne Tees Television who also worked on the TUBE when they visited the museum to see the TUBE neon logo that was in storage. From that visit, the idea of the TUBE exhibition came into being.

An exhibition of items relating to the Tube, including the neon Tube sign, is on show at Discovery Museum until 30 June. More details. 

John Franklin – The mystery of the Polar explorer

My name is Emily Needle and I am a 3rd year History student at Newcastle University. I’m on a Placement in the Great North Museum: Hancock Library and this is my second Blog Post.  I have been researching the famous polar explorer John Franklin, who lived from April 1786 to June 1847. The Great North Museum: Hancock’s new exhibition ‘Polar Explorers’ which inspired me to look at Franklin, opened on the 30th January 2016 and is aimed at families with younger children. Older readers might have heard of Franklin’s story. It is a famous and mysterious one which has become a nautical folklore legend and has been recounted in many folk songs and stories since his death.

Franklin was a British Royal Navy officer, and a famous explorer of the Arctic. He led his first expedition on unexplored coastline in 1819, after being chosen to chart the North coast of Canada. It was this expedition which gave Franklin the nickname “the man who ate his boots”, as the survivors who did not die of starvation from the long, hard winter journey were forced to eat their own leather boots as a source of nutrition. Between 1819 and 1822 he lost 11 of the 20 men in his party. An 1823 first edition of Franklin’s book ‘First Journey to the Polar Sea’ is held in the collection of the Natural History Society of  Northumbria, which is located in the Great North Museum: Hancock Library. It contains his fascinating first-hand accounts, and also beautiful coloured sketches drawn by Lieutenant Back and Lieutenant Hood who were part of the expedition crew.

"Canoe broaching to in a gale of wind at Sunrise, August 23rd" 1821

“Canoe broaching to in a gale of wind at Sunrise, August 23rd” 1821

During this first expedition Franklin and his men faced many unimaginable challenges. His book describes how in October 1821 they trekked through one and a half feet of snow, the men despondent and gloomy. Lieutenant Hood was ‘reduced to a perfect shadow’ and was noted as very ill and feeble, and needing a walking stick to assist him. They saved a partridge for him to eat to try and restore his strength, but one of the men stole it in his own desperation.

‘The sensation of hunger was no longer felt by any of us, yet we were scarcely able to converse upon any other subject than the pleasures of eating.’ – ‘Franklin’s First Journey’   describing the extreme hunger they faced.
In 1823 Franklin took part in his second Canadian expedition which took him away from England until 1827. This journey is also captured in a book held in the Library, ‘Franklin’s Second Journey to the Polar Sea.’

However, it is his third and final voyage to the Arctic in 1845 that he is most famous for as it was the expedition from which he never returned. In the 1840s there was only 500 kilometers (311 miles) of unchartered Arctic coastline left to discover, and so Franklin and Captain Crozier set out in the summer of 1845 with 134 men, to attempt to chart the North-West passage through the Arctic to the Behring Strait.

Their two ships were named the Erebus and the Terror and had been stocked with provisions for 3 years, but when nothing had been heard of them towards the end of 1847 people began to worry, and rescue missions were sent out. By 1850, a total of 15 vessels had been sent in search of John Franklin and his ships. They all failed to find any evidence of a ship, or of the 145 men.

 

"Portrait of Akaitcho and his son"

“Portrait of Akaitcho and his son”

 

So what did happen to John Franklin in the Arctic and why is his disappearance such a mystery?

Whalers off the coast of Baffin Bay in Greenland reported last seeing Franklin’s ships during the summer of 1845. In her desperation to find her husband, Franklin’s wife, sent out five ships and ordered for cans of food to be left on the ice in her hope that he was still alive and would find them. A group of Inuit hunters told Scottish explorer John Rae in 1854 that Franklin and his crew had all perished. Later they described that they had sighted white men from a distance wandering in the freezing wilderness over a few months in 1845.

By 1854 it was clear that Franklin was not going to return. The ships that set out after this date were to search for remains, or any evidence that might shed light on what had gone wrong. Between 1850 and 1855 Captain Richard Collinson wrote an account of his voyage to find Franklin on the HMS Enterprise. He discovered a small piece of wood that was almost certainly part of a cabin door from one of Franklin’s ships. The Enterprise managed to go farther than any of the other ships at the time into the Arctic on the route than Franklin had journeyed. Collinson poetically described the dangerous life in the Arctic Franklin and the other men had faced, and which had cost them their lives:

‘[The] constant struggle for life against bitter elements… in the numbing cold; in the dead   silence of space where scarcely the foot of man or beast has trod since it was created…’

“Expedition doubling Cape Barrow” in Franklin’s First Journey to the Polar Sea”

In 1981 it was revealed by forensics that an examination of bones exposed knife marks, indicating that the crew had resorted to cannibalism in their extreme hunger. Some of these bones were discovered as far as mainland Canada so the crew had clearly roamed far in search of help, but had still been hundreds of miles away from western civilisation. Anthropologists believe that all the crew had died by 1849, mostly from pneumonia, starvation, scurvy and tuberculosis. Post-mortem examinations carried out also picked up lead poisoning, perhaps from the ship pipes or leaks in the canned food. A note found written by John Franklin on Beechey Island indicates that he may have died on 11th June 1847. His resting place has never been found. Experts think that the Terror and Erebus became trapped in some ice near King William Island in September 1846 and could not break free.

In 2014 a huge breakthrough was made by Parks Canada with the discovery of one of the two ships– The Erebus. The clear sonar image of the ship can be seen below: it had been well-preserved in the cold, dark climate of the sea bed, only 11 metres below the water level.

The wreck of HMS Erebus discovered on the sea bed of Queen Maud Gulf in Northern Canada by Parks Canada marine archaeologist Ryan Harris. Photograph : Parks Canada AP

This discovery verified the Inuit’s’ word in the 1850s, who had previously been dismissed as savages when they said they had seen the ship near where it was eventually discovered in 2014.

Franklin’s story has gone down in history, in the words of his biographer Andrew Lambert, as “a unique, unquiet compound of mystery, horror and magic”. The path through the Canadian waters to the Pacific that Franklin set out to chart was not completed until 1906, and it is due to the effects of global warming that the Arctic is more open to explorers and scientists today than it was 150 years ago when Franklin set out. The other ship on Franklin’s voyage, The Terror, has never been found. And as to whether his body is on the Erebus, this remains to be seen.

Lady Franklin’s Lament was written in around 1850 and tells the tale of a sailor who dreamt of Lady Franklin lamenting for her lost husband.  You can hear a version of this sad but haunting piece of music by using the following link.

https://www.youtube.com/watch?v=fiXD6kH7sXI

Detail from book cover of Scott’s “The Voyage of the Discovery”

The Great North Museum: Hancock  Library is located on the second floor of the Museum. It is free to use and open to everyone.  You can arrange to view first editions of Franklin’s first two journeys to the Arctic, and also Sir Richard Collinson’s account of the expedition of 1850 – 55 that he conducted in search of Sir Richard Franklin’s ships. Also available are copies of Robert F Scott’s books on his polar expeditions and many other fascinating works that are linked to polar exploration. Further information about the Library is available by using   the following link.

https://greatnorthmuseum.org.uk/collections/library-and-archives

 

 

Exhibition Explorers at the Shipley – what our youngest visitors can teach us.

Last week our exciting new project Exhibition Explorers began. Sixteen children aged 1 and 2 and their grown-ups joined us to embark on an exciting six month journey of discovery, finding new ways of enjoying galleries and museums together.

This project is focused on introducing toddlers to museums and galleries, enjoying cultural days out as a family, and creating keepsakes of the children’s early cultural experiences. As the families have committed to a six month project, it’s a great chance to for the families to get to know one another and the gallery itself, and for us as an organisation to get to know this audience.

Each session at the Shipley will focus on the themes of ‘make, play, explore’ and be facilitated by Claudia Knott, who has worked with us on several Early Years projects before. At the first session we set the scene with a circle of colourful cushions beneath the Tintoretto, and three intriguing, colour changing lights. As families arrived they joined the circle where we sang together and then introduced the session and the first explorer activity. For this, the families were offered a range of tools to take around the exhibitions, to help them look at the artworks. There were magnifying glasses, ‘I Spy’ cards to match to the artworks; transparent coloured paddles to look through; frames to look through to make their own compositions; and cuddly toy sea creatures to take around on a gallery tour. In this photo you can see the children eager to get started with the explorer tools – one of them already looking through the magnifying glass.

Introducing the explorer tools

Introducing the explorer tools

After exploring the galleries in this way, it was time for some museum-themed play amongst the artworks. All the activities offered open ended play opportunities, in which children played around the theme of museum collections. One play area offered a range of interesting little objects hidden in boxes and baskets, which children could take out and sort into display cases, to make their own museums.

Sorting objects into display cases.

Sorting objects into display cases.

Sorting a range of objects into display cases.

Sorting a range of objects into display cases.

We also made playdough creations amongst the ceramic displays. Throughout the activities there was lots of chat between children and parents, as everyone enthusiastically got involved:

Modelling with playdough, amongst the ceramic display.

Modelling with playdough.

The lift-the-flap museum was another popular activity; here children chose a picture of a museum object to stick under a lift-the-flap paper display case, and curated their own displays.

Making our own museum by sticking pictures under the lift-the-flap display cases.

Making our own museum by sticking pictures under the lift-the-flap display cases.

In Early Years play there are a variety of schema at work – these schema are repeated behaviours that young children compulsively display, and which are instrumental in their brain development. The Exhibtion Explorers session featured activities designed to complement certain schema – for example, in arranging their museum displays, the children predominantly exhibited the Positioning Schema (which focuses on ordering and categorising objects) and the Container Schema (which focuses on filling and emptying vessels, boxes and enclosures). Through the playdough activity, the Connection Schema played out, in which components were linked together, destroyed, rebuilt etc. And when two colour of playdough were combined it was the Transformation Schema at work, with children motivated by the potential to mix, change the colours, and make new creations. In making lift-the-flap museum displays, the children exhibited the Enveloping Schema – an extension of the ever-amusing ‘peek-a-boo’ game, which is about learning that objects remain in existence, even when out of sight.

Through their play, the children initiated several other schema which we hadn’t sought to cultivate, but which were equally important – and fascinating to observe. For example, the mirrored den created a tunnel through which the Transporting Schema occured, as children moved objects from one place to another. The Rotation Schema was also apparent as children spun in joyful circles in the open spaces, and did laps of the gallery with pull-along toys on wheels. And the Orientation Schema – about repositioning oneself and viewing the world from different angles – occured periodically as children lay on the floor to investigate the patterned tiles, or climbed under display cases. All were fascinating to observe and will certainly shape the play opportunties we develop over the course of the project.

At the end of the session we gathered for storytime, which in an extension of the Container and Enveloping Schema, focused on Spot the Dog hiding in a basket. We then enjoyed some energetic lycra games, bouncing small toys on the lycra as we sang.

Lycra games.

Lycra games.

Next month we’ll meet again for more creative play and exploration in the Shipley. In the meantime, the families are encouraged to embark on a ‘Family Adventure’, visiting a museum or gallery of their choice and scrapbooking about the experience to add to our Exhibition Explorers Encyclopaedia! This will form a record of early cultural experiences that grows alongside the children. It’ll be supplemented by blog posts here, providing a resource for families to dip into for ideas and recommendations about cultural venues to visit. We’re also asking the families to complete a small card with their thoughts on the first session, and their feelings about visiting cultural venues with their children, to help us chart their Exhibition Explorers journey.

Watch this space for all the exciting developments ahead!