Hudson For Ever!

Dan Snow’s History of Railways on BBC 2 recently featured the story of George Hudson (http://www.bbc.co.uk/iplayer/episode/b01q7brf/Locomotion_Dan_Snows_History_of_Railways_Episode_2/) Hudson was a man who became loathed by many, especially those who lost their money when the ‘Railway Mania’ bubble burst in in the 1840s. However it was not a black and white situation and whilst his home town of York tried hard to expunge all links to Hudson, had the programme come to Sunderland they would have seen that there was at least one place where he was admired, even loved, long after the exposure of his financial ‘wrong doings’.

Hudson and Sunderland joined forces in 1845 when he became Member of Parliament for Sunderland. He kept his seat in Parliament right up to 1859. He not only developed railways locally, but was responsible for the building of the South Docks enabling Sunderland to compete with other developing ports on the north east coast in the trade that had made it so rich and vibrant by the mid nineteenth century, the coal trade. Hudson himself said at the time that “When all have forsaken me, Sunderland has remained firm to me.”

Monkwearmouth Museum’s star object is Sir Francis Grant’s 1846 painting of Hudson.

Who was Hudson?

Born a farmer’s son in 1800 at Howsham, Yorkshire, Hudson worked his way up from being an apprentice draper aged 15 to partner in the company by the time he was 21. He invested a £30,000 inheritance in the North Midland Railway Company, later becoming a director.

Hudson’s ambition was to turn York into a major railway hub. In 1839 he promoted a railway that connected York to the mainline network for the first time. By 1845 he controlled over 1000 miles of track.

Hudson’s business methods were not always sound. It could take years for a railway to show a profit, so he illegally used money raised for new ventures to pay ‘profits’ to the shareholders of previous ones. This encouraged ongoing investment but when railway expansion slowed in the late 1840s the money dried up, and the ‘Eastern Railway Frauds’ scandal eventually ruined him.

Hudson had become a popular national hero as his enterprises created employment for thousands and he never lost favour in Sunderland. Hudson was sent to debtors’ prison in 1865 but his friends raised money to secure his release. He retired to London and died in 1871.

In 2008 Monkwearmouth Museum staged an exhibition about this complicated character. The star attraction was a letter owned by the National Railway Museum in York  (NRM)signed by many prominent people in Sunderland supporting Hudson in 1849 (http://www.nrm.org.uk/~/media/Files/NRM/PDF/archiveslists2012/personal/Introduction%20to%20Petition%20Borough%20of%20Sunderland%20supporting%20George%20Hudson.pdf). The letter was conserved with costs shared by Tyne and Wear Archives and Museums and the NRM. Here is the text from that exhibition.

George Hudson

Railway Napoleon; Capitalist; Humanitarian; Crook . . .

George Hudson has been called all these things, but in Sunderland he is remembered as a hero. George Hudson, MP for Sunderland 1845-1859, was responsible for the development of Sunderland’s railways and building the South Docks. A gutsy and daring entrepreneur, he provided employment for thousands of labourers in Sunderland and the North East region.

The development of railways revolutionised the speed of travel and communications and the growth of towns. It transformed the way wars were fought and empires were run. It was the internet of its day . . . and at the forefront of this wave of change was George Hudson.

Was he a hero or a villain? You be the judge.

George Hudson Comes to Sunderland

George Hudson came to Sunderland in 1845 with a record of achievement in promoting the railways and creating employment, and a firm belief in that the economy should be protected by the Corn Laws, which protected British farmers by placing duties on imported wheat if the prices fell below 80 shillings a quarter although this kept food prices artificially high. What the people of Sunderland wanted most was a successful and prosperous town and this is what Hudson offered them.

With his wife and children in tow, he charmed the traditionally Whig voters of Sunderland into voting Tory. There was speculation that Hudson spent £10,000 charming people to vote for him, and that hundreds of supporters were brought in by train from York. He beat his rival Colonel Perronet Thompson by 627 votes to 497 on 14 August 1845.

‘A more formidable opponent he could not have been . . . with an intangible bribe for every class – the Capitalist would hope for premiums – the smaller fry . . . jobs for their sons in the vast railways . . . the rope, iron, coal and timber merchants all bid for his patronage . . .’

(Richard Cobden, written during the 1845 election campaign)

Entrepreneurial Sunderland

An entrepreneur is a person with a business idea who makes it happen. If the business is a success they make a profit. To start a business they raise money through bank loans and by asking people who have spare money that they want to see grow to buy shares in the project. If the business is a success, people share in the profits based on the size of their investment. If the business fails, people lose their money and can be become bankrupt. In the 19th century you were sent to prison for this.

Sunderland’s economy depended on people risking their money on businesses that could exploit Sunderland’s position on the River Wear and in the Durham coalfield. In the 17th and 18th centuries men like George Lilburne, William Russell and John Thornhill sold coal on from local collieries and made fortunes. In the 18th and 19th centuries thisprofit was used to fund other industries, including shipbuilding, which in turn attracted other maritime industries such as rope and sail cloth making. Sunderland’s position at the mouth of the River Wear allowed it to export coal and import raw materials. Industries such as glass, pottery, lime making and heavy engineering were located here to exploit the easy transport links and availability of coal for steam power.

Railway Mania

The development of the railways in 19th century Britain has been compared to the expansion of the internet. Both were new technologies that promised to change the way we live and work. Both technologies delivered . . . but not without controversy.

The Railway Mania of the 1840s had many parallels to the dot.com mania of the 1990s: many people invested, often more than they could afford, in dramatically new technologies. Some became millionaires, but many investors lost a lot of money. Some losses were due to outright fraud, but most losses resulted from bad business practices, especially poor planning and low initial financing. In the end, both technologies altered the world on a global level and expanded our previously limited horizons. They have had a massive impact on our lives and our sense of who we are.

Election Fever

The 19th century saw fundamental changes in the way British politics were run. The Great Reform Act of 1832 granted seats in the House of Commons to towns like Sunderland that had sprung up or grown massively during the Industrial Revolution. It also increased the number of people entitled to vote from approximately 366,000 to almost 8 million by 1885. Sunderland did not have parliamentary representation of its own until 1832, when the Reform Act allowed the borough to send two representatives to Westminster. Further reforms included the Ballot Act of 1872, which abolished public voting in the hope that secret ballots would make it far more difficult for voters to be bribed or intimidated.

Hudson’s Railways

In 1833, George Hudson entered the new and exciting world of railway investment as the treasurer and largest shareholder of the newly created York Railway Committee. Hudson quickly expanded operations by combining smaller, existing railway lines into larger companies. This included lines such as the York Railway and the North Midland Railway. By 1840, these two companies had become the York and North Midland Railway (YNM). The YNM Railway boasted a 217-mile uninterrupted track from London to York with only a ten-hour travel time.

By 1841, the race to construct a direct route from London to Edinburgh was on. Over the next few years Hudson, by combining railway companies and getting richer in the process, had earned his nickname ‘the Railway King’. By the end of 1848, the face of Britain had changed. In less than 25 years over 5000 miles of railway track had been laid in Britain, and ‘the Railway King’ George Hudson controlled over 1000 of those miles.

South Dock Boost for Sunderland

By the middle of the 19th century Sunderland was fighting competition for the shipment of coal, not only from Tyneside but also from new docks at Seaham Harbour, developed by Lord Londonderry,and Ward Jackson’s new docks at West Hartlepool. In Sunderland ships were unloaded and loaded in the river or along the quaysides. This could only happen when the tide was right. Hedworth Williamson’s North Dock of 1837 was too small and on the wrong side of the river to connect with the railways from most of Durham’s coalfield. A dock on the south side was talked about for many years and Hudson was elected on his promise to build one. A significant part of the capital for the work came from the York, Newcastle & Berwick Railway Company. Managed by Hudson’s South Dock Company, the new dock helped to restore and build Sunderland’s share of the market. However, the South Dock Company was overcharged for access to its dock by the rival River Wear Commissioners, and failed to make profits for itself. In 1858 the River Wear Commissioners took control of the dock and went on to expand it, building a second dock in the 1860s.

The Bubble Bursts

The mid-1840s were the beginning of the end for the wild financial speculation of Railway Mania. The 1844 Railway Act controlled the development of the railways, and in 1845 interest rates went up from 3% to 5%. An economic downturn was blamed on the railways for absorbing too much of the country’s wealth – about half of Britain’s investment was going into railways, of which a third was by Hudson. Whatever the cause, the result was less investment in the railways. This exposed Hudson’s ‘sharp practice’ of paying out dividends to shareholders from the capital raised for projects, rather than from revenue income raised by the business (which was necessary because new railways weren’t always immediately profitable). This came to light in 1848, and by the end of 1849 the game was up. Many people who had invested their savings lost out. They appear to have known what Hudson was doing and did not mind when the shares were paying out at 10%. When it all collapsed, however, they wanted a scapegoat, and Hudson was pursued for many years by his companies’ shareholders, to whom he owed £16,000.

Sunderland Remains Firm

Hudson did not shrink from public life. He continued to believe in himself and found that his support in Sunderland remained as strong as it had done since he was elected MP. This was because he was delivering what he promised: a new dock, linked to the new railway network, that could improve the port’s ability to ship coal. In the South Dock’s first eight years of operation, coal exports from Sunderland increased by 56%. Hudson remained Sunderland’s MP until 1859. While Parliament was in session he could not be declared bankrupt, but when it was on holiday he had to leave the country to avoid his creditors. This meant that he could not always be a good MP for the town. Eventually, because of this, he lost his seat and parted company with Sunderland. However, his transformation of the local and regional economy meant that he remained a hero in the town. The South Dock was renamed the Hudson Dock after his death.

Hero or Villain?

Hudson was not a simple character, and many have questioned his methods and even his honesty. However, he could be a generous man who worked incredibly hard for what he believed in, and he was passionate about building and promoting railways. He unleashed the potential of Britain’s industry and trade by creating a transport system second to none in the world at the time. What is left of those railways is still a crucial element of our transport network. And although Sunderland’s economy has changed beyond recognition since Hudson’s day, the docks still exist and run at a profit, albeit with very different cargos.

Your Ideas for Our Museum

Just before Christmas, some Laing staff were out and about, meeting members of the public. We were persuading people to sample some Christmas treats – mince pies and chocolate biscuits. We did have an ulterior motive – we were hoping to get people to tell us what they were interested in and the kind of events they would like to see in the Laing Art Gallery.

We even brought our own Christmas tree, and hung it with decorations recording the things people told us. Joy and Zoe from our Learning team are posing with the tree in this photo, alongside Richard from our Front of House team.

Curatorial staff also came along to find out what people had to say. This is part of Our Museum initiative, which involves all the museums and galleries in the museum service. Our first event was at the City Library, and we’ll be out meeting more people to get their ideas at another event soon.

One of the themes that came out of our Christmas event was activities for families and children. We’ll certainly be keeping up our fun family-themed events and exhibition activities for kids. (There are also many short classes for adults linked to our temporary exhibition programmes, as well as talks.)

If you have comments about the events we are already doing or ideas for the future, we would love to hear from you. You can contact us by email – info@laingartgallery.co.uk or you can leave a comment on this blog.

 

Merry Christmas!

We’re signing off for a Christmas break but will be back in the new year with more blog posts.

In the meantime, merry Christmas and happy new year from everyone at Tyne & Wear Archives & Museums!

Click here to see our animated Christmas card.

A Christmas Conflagration

While scouring the archives a few years ago for a suitably seasonal image to use on the office Christmas card, Tyne & Wear Archives staff discovered a short series of 35mm photographic slides in the personal papers of local historian John Rippington (our ref: DF.RIP), showing festive window displays and decorations from around Newcastle upon Tyne throughout the 1960s. A large number of these slides showed different displays used in the arcade windows at the now-defunct Callers furniture shop on Northumberland Street – described by one observer as “a delightful yuletide exhibition”, but perhaps more accurately as ‘gaudy and deeply unsettling’.

df.rip.19.2.15

Callers, December 1964

‘How dare you call me Thread Bear?’ Green Ted works his evil curse magic on Pink Ted, Callers window, December 1966

It was one such presentation in 1969 that very nearly caused the destruction of the entire city centre. On the evening of Sunday 30th November, the usual crowds of excited children and psychologically-battered parents had turned out to see Callers’ attractive and magical animated Dickensian-themed display. However, one sharp-eyed father, his mental faculties not yet fully smothered by the demands of the festive period or an excess of cheap sherry, found his attention drawn to a thin plume of smoke rising gently from the head of a mechanical street urchin, and rushed to a nearby telephone box to alert the fire service.

Ape hates it when those two fight. Callers, December 1964

Within a few minutes the entire ropey display, built mostly of papier-mâché and polystyrene, was alight, the flames being helped along nicely by the electric fans powering the toy windmills decorating the ceiling of the store’s arcade entrance. The fire quickly took hold, spreading throughout the shop and into the building’s upper floors by the time Newcastle & Gateshead Fire Service arrived. They could do nothing to save the building, but their efforts were vital in ensuring the flames did not spread any further, or leap across the road to the other side ofNorthumberland Street, which would have been disastrous. 88 firefighters using 15 appliances struggled for five hours to bring the blaze under control, and another four to extinguish the conflagration using high expansion foam.

This was the worst fire seen in Newcastle’s city centre, causing upwards of two million pounds worth of damage. Callers and the adjacent Van Allan and Richard shops were completely gutted. After inspection, the building façade was declared unsafe, and demolished shortly afterwards. Miraculously, only three people were injured – including Leading Fireman Harry Louvre, commended for his bravery, who continued to fight the blaze for four hours after sustaining severe burns to the hands and face.

A series of photographic negatives held by the Archives and taken by Newcastle photographers Turner Visuals Ltd. (our ref: DT.TUR) on the morning of 1st December 1969 shows the aftermath of the festive conflagration that almost ruined everybody’s Christmas.

Callers and Richard Shops, 1st December 1969Callers interior, 1st December 1969

 

Tyne & WearArchives wish all our readers a Merry Christmas and a Happy New Year, and would like to remind them to switch off their fairy lights before they go to bed.

(This post was originally written by former staff member Roy Young in 2007)

Take a look behind the scenes as a new exhibition goes up

Ana, the museum service’s picture conservator, is making the last cleaning touches to a painting for the new exhibition of pictures from the Laing’s collection. She’s using moistened cotton wool wound around a special cleaning stick – a painstaking job. The picture was painted by Lake District artist Delmar Banner, and shows a spectacular sunburst over Scafell and surrounding peaks. The picture is now on display in Sun, Wind and Weather, which opened very recently. The sunny scenes on display are an antidote to winter conditions outside at the moment. However, it’s not just all summer sun – the exhibition shows how artists have been interested in painting all kinds of light and weather, from mist and cloud to morning and evening light. This blog shows photos from the installation of the exhibition.

This was one of the trickier pictures to hang so that it looks straight, as the picture sides are just not at right-angles. Some of the pictures are really heavy, yet very delicate at the same time, so they need great care in handling to make sure that we do it safely for both installers and the painting. The staff are wearing gloves to avoid marking the frames.

Gemma keeps a steadying hand on the frame as the fixings are put in place on the other side. But she doesn’t have to hold all the weight of the picture herself – it’s supported by a pair of sturdy brackets.

This picture portrays French farm women in the second half of the 19th century. It shows that some Realist artists were interested in capturing the visual effect of full sun in outdoor scenes just as much as the Impressionists, though they took a different artistic route.

In contrast,  it’s all about pleasant sunshine and a fresh breeze in this picture. The artist Charles Napier Hemy (born in Newcastle) loved sailing, and made studies in his floating studio on a converted boat. He painted this picture, entitled Through Sea and Air, in Cornwall, and it was tremendously popular with art lovers at the time.

Hemy’s picture is now in position on the wall. On the left of the photo, we can see a beautiful sunny scene in the ‘British Impressionist’ style of the early 20th century, in which the artist has created the impression of brilliant light using separate small brushmarks of colour. Sunlight shining through leaves and sparkling on water featured in many pictures by artists influenced by Impressionist art.

In his picture of Durham Cathedral at the top of the steep bank above the river, Albert Goodwin depicts the building emerging from a golden haze as mist rises from the river.

Goodwin was a dedicated follower of JMW Turner, admiring the way Turner created poetic evocations of scenes, transformed by sun and weather.

Scarborough on a bright sunny day features in this picture being carefully installed on the wall. However, those scudding clouds suggest the brisk breezes and bracing air for which the North Yorkshire coast is famous!

The wide golden sands made Scarborough a popular Yorkshire resort in the late-19th century, when this picture was painted.

Once the paintings are up, the lighting needs to be set. It involves a good head for heights! You may have noticed an improvement in the lighting in our exhibition galleries – special grants for energy-saving LED lights in 2011 allowed us to replace the worn-out old lighting at last, so everything is as bright as it should be.

 

But before we finish the exhibition lighting, we need to make sure the levels are not too high for safety for the oil paintings. Garry is checking the levels for this picture with a lux meter.

There’re some lovely pictures in the exhibition, and we hope you’ll come along and enjoy the show. You can read more about the exhibition here.