Monkwearmouth Station Museum Railway Wagon Restoration Project – The Story of the Sidings

 

The Sidings Area 1977 to 2010 (courtesy Peter Gibson).

The Sidings Area is an original feature of the station when it opened in 1848. It is shown on the 1st Edition of the Ordnance Survey (10 feet/mile scale) for Sunderland produced in 1857. It is a dock platform designed to enable the loading and unloading of road carriages on and off railway wagons. Although the station originally had a siding with animal pens at the south end of the platform, animals could also be loaded and unloaded here and it is known that circus animals, including elephants, were unloaded here in the 1940s and 50s.

The Sidings Area in the early 1970s.

Clearing the site in 1977.

The opening of the Sidings in 1977.

When the station was bought by the Council in 1972 and converted into a museum the purchase did not include the Sidings Area which had fallen into a state of dereliction. However, a move was made to acquire the site from British Railways and in 1976 the land was leased from the British Railways Property Board, cleared and restored. This included demolishing some existing derelict buildings, such as the lamp shed, that were not original parts of the station. The track also needed relaying. An original signal and loading gauge were also set up within the Sidings Area. The Sidings Area was opened to the public as a new display with the two restored wagons in 1977. The interpretation was by graphic panels but the public had to appreciate the wagons from the outside as access inside them was prohibited.   The land was eventually purchased from British Rail in 1989. At this time some restoration of the wagons took place.

During the 1990s the Museum grew in popularity but the building was growing tired and by 2004 required new heating, rewiring and repairs to the stonework and roof. The displays also needed replacing. The Sidings Area was originally included in the works with plans for a shelter to keep the worst of the weather off the wagons being part of scheme but because of the cost of the works the Sidings Area had to be put on ice until the main building had been dealt with. So when the Museum, which had closed in August 2005, re-opened in 2007 the Sidings Area was kept closed.

The original proposal for a shelter was in 2002 but did not make it into the final restoration project of 2007.

Trees being cleared in 2008.

A new design for an all enclosing building was developed from 2008.

The future of the site was debated and a new scheme, that included a building rather than a shelter, was prepared. Works that could be done easily and inexpensively were carried out in preparation such as the removal of trees and vegetation. In 2008 Robertson.Simpson was appointed as the Design Consultant and an affordable scheme was developed. The money for the building works came from a Department of Culture, Media and Sport Capital Grant. Once the scheme had been agreed in 2009 planning permission was sought and in 2010 the contract for the main builder was put out to tender and Meldrum Construction, a Birtley based firm, was appointed.

As the Museum is a Grade 2* listed building English Heritage has to approve the design and it is their policy to ensure that modern buildings do not appear to be part of the original site but are obviously modern. Therefore building is a contemporary design with a steel frame structure, curved aluminium roof and glass and cedar wood timber boarding along the sides. Its function is to protect the wagons from the weather and from vandalism and to provide a better overall experience for our visitors. The north end has folding doors and removable panels to allow the wagons to be wheeled in and out as and when required. The south end doors can also be folded open to allow large objects in and out. A glass barrier with timber rail runs along the edge of the platform to stop people from falling through the gap between platform and wagons. In order to reduce the noise of rain on the metal roof the underside of the roof is lined with insulation and timber boarding.

As the Wagon Shed will be a workshop whilst the wagons are restored it is equipped with a 440 volt three phase electricity supply as well as a standard 230 volt single phase supply for general use. 

In order to get firm foundations one of the first jobs was driving piles into the ground. The equipment to do this had to have very low levels of vibration so as not to affect the structure of the nearby railway (courtesy of Meldrum Construction).

UThe close proximity of the railway restricted the use of cranes and so the framework, which was at low level, was carried out using the arm of an excavator.

The steel frame seen from inside.

Showing the framework to which narrow aluminium sections were added to form the roof (courtesy of Robertson.Simpson).

Meldrum Construction started on site in June and completed the contract in the agreed time handing the building over to the Museum on 5 November 2010.

Once up the structure was panelled with glass and timber cladding, the steelwork for the glass barrier installed and the services, such as power supply provided.

Although not a feature of the original design the timber lined insulated roof is a nice finishing touch to the building. It was installed to provide sound insulation from rain falling on the metal roof.

The finished building (courtesy Robertson.Simpson).

Outside the cobblestones were relayed and new tarmac replaced the old worn out surface. Beyond the platform the ground was cleared of vegetation and new ballast laid down. The old flower bed next to the platform was also cleared and made ready for replanting. Plans are currently in hand to set up a volunteer scheme to design and replant the flower bed and manage the landscaping of the site and this will be the subject of a future entry.

NUFC : For the Love of Football is now open

Last week was busy with everyone helping out to make sure the new temporary exhibition, all about Newcastle United Football Club , was ready to open at Discovery Museum on Saturday.

Once all the cases were in place and the astro turf laid we started the task of laying out all of the objects. We have to ensure that  each object is fully supported in the way that it is displayed so as not to cause ‘stress’ on the object. Almost all of the objects are being loaned to the museum specially for this exhibition.

Louise preparing an NUFC scarf to go in a case

Louise preparing an NUFC scarf to go in a case

Katie dressing a case

Katie dressing a case

The lights and temperature in the gallery are controlled so that the objects are displayed in the best conditions for them. For example, if the lights were too bright they could fade things like the programmes or fabrics of the shirts.

After all the objects are in cases we put the labels in and hang the graphics on the walls.

Graphics and labels

Graphics and labels

A work in progress

A work in progress

We did some promotional interviews during the install too about the exhibition for Real Radio, the inflight magazine for Jet2 and the ITV film crew came to film a piece for the local news.

By Saturday the exhibition opened to the public and we have already had lots of interesting comments about what NUFC means to people, the legends of NUFC and about issues in football today. It’s great to see people contributing their thoughts to the exhibition.  

Comments left by the public in the gallery

Comments left by the public in the gallery

We have some fabulous objects from Hughie Gallacher’s 1926/27 Championship shirt to Kevin Keegan’s boots from his last match as a player at NUFC. It’s interesting to see the way that football has changed since the 1880s. I’ve enjoyed working on the exhibition and I hope people will enjoy having a look around it.

NUFC : For the Love of Football. It’s the final countdown

Next week we will be installing the new temporary exhibition ‘NUFC : for the Love of Football’ at Discovery Museum.  A lot of work goes into preparing temporary exhibitions from lots of different teams in the museum. Over the past few months we have selected the objects that we wanted to include, researched and written text and designed the exhibition space.

We had a great response from the local press who came in and photographed some of the objects – click here to read the Evening Chronicle’s article about the exhibition.

This week I have been working with our conservation team to frame some pieces and to put player’s football shirts on mannequins. All of the materials that we use are conservation standard, which means that they don’t contain anything that can harm the objects.

Framed Alan Shearer shirt

Alan Shearer’s spare FA Cup final shirt, 1998

Andy Cole's and David Kelly's shirts

Andy Cole's and David Kelly's shirts

 The previous exhibition (‘William Armstrong. A spark of Inspiration’) has been taken out of the gallery and the painters have been in. The gallery is looking empty at the moment but by 29th January it will be full of fabulous football memorabilia!

Temporary Exhibition gallery

The gallery is empty ready for installing the next exhibition

Kurt Schwitters’ Portrait of Fred Uhlman

Kurt Schwitters' portrait of Fred Uhlman on display at the Hatton Gallery (until Feb 19th 2011)

Kurt Schwitters' portrait of Fred Uhlman on display at the Hatton Gallery (until Feb 19th 2011)

This portrait from 1940 is of particular significance within the Hatton Gallery’s permanent collection because of its interesting connections to a number of other works (and because it’s a wonderful painting!). It was painted when, as a German, Schwitters faced months of ‘enemy alien’ internment on the Isle of Man, there he painted a number of fellow internees, including this portrait of Fred Uhlman (as well as being known for sculpting leftover porridge). The Hatton purchased the painting directly from the sitter in 1974.

There is of course a better known and more important work by Schwitters in the Hatton collection, his permanently displayed Merzbarn wall, described by critic Andrew Graham-Dixon as ‘one of the great masterpieces of European Dadaism’ and ‘one of the most moving and singular works of art created in Britain in the twentieth century ‘.

Fred Uhlman (1901-1985) too has other connections with the Hatton. A lawyer, novelist, artist and collector, shortly before his death he donated to the Gallery the 70 piece ‘Fred and Diana Uhlman collection of African Sculpture’.

Fred Uhlman - Still Life with African Figures

Fred Uhlman - Still Life with African Figures

The Gallery also owns a painting by Uhlman, ‘Still Life with African Figures’ and a terracotta portrait bust of him by Karin Jonzen. It is likely that Uhlman was well disposed towards the Hatton due to the presence here of his friend Schwitters’ final masterpiece.

Returning to the portrait, this is one of the Hatton’s most popular works and is often out on loan, over the past year it has been included in the Ben Uri Gallery’s travelling exhibition ‘Forced Journey’s’ about artists in exile in Britain between 1933-45.  During this tour the painting visited two quite unusual venues, the Sayle Gallery in Douglas on the Isle of Man, to mark the 70th anniversary of the opening in May 1940 of the island’s internment camps, and also Birkenhead’s magnificent 1920s Williamson Art Gallery and Museum.

Following this tour it was decided to replace the paintings 1960s frame with something that would both improve the display of the painting and afford it better protection when it next goes off on some travels. The painting and its lovely new frame can be seen at the Hatton until 19 February in ‘A Century of Portraits’. 

Click here to find out more about the Century of Portraits exhibition at the Hatton.

Focus on the collections (part 3) – The library and archives of the Natural History Society of Northumbria

 

The library

Following on from my last two blogs on the library collections, I’m going to tell you about the library and archives of the Natural History Society of Northumbria (NHSN).

Birds Britannica by Mark Cocker and Richard Mabey, Chatto & Windus, 2005 ; Watching birds by James Fisher, Penguin, 1941 ; Photograph of John Hancock (courtesy of the Natural History Society of Northumbria)

Birds Britannica by Mark Cocker and Richard Mabey, Chatto & Windus, 2005 ; Watching birds by James Fisher, Penguin, 1941 ; Photograph of John Hancock (courtesy of the Natural History Society of Northumbria)

The NHSN began acquiring material for its library from its foundation in 1829 and now, with 12,300 items in the printed collections, is one of the largest specialist Natural History libraries in northern England. The coverage of the library reflects the areas of interest of the Society: zoology, botany and geology but also extends into ecology, the history of natural history, biographical studies on naturalists, scientific exploration and ethnography. The collection of material on the natural history of North East England is particularly strong.

Some important donations made to the library include:

  • The library of W.C. Hewitson, including many illustrated 18th century books in fine bindings.
  • The library of Joshua Alder, including a range of 19th century academic texts.
  • The Tully bequest, including many ornithological works. The earliest book in the library, Belon’s l’Histoire des Oyseaux (1555) is from this bequest.
  • A number of books from the library of Thomas Bewick.

The collection is strongest in books published from the 19th century onwards. However, earlier titles include A Newe Herball by the Morpeth-born naturalist William Turner, and Thomas Bewick’s copy of Insectorum sive minimorum animalium theatrum (1634) by Thomas Moffett (the “Little Miss” of the nursery rhyme).

Illustration from: Insectorum sive minimorum animalium theatrum by Thomas Moffett, 1634

Illustration from: Insectorum sive minimorum animalium theatrum by Thomas Moffett, 1634

The NHSN has subscribed to the Ray Society since its foundation in the 1830s and holds a complete run of its illustrated natural history publications. More recently, all of Collins’ New Naturalist series (1945-present) have been acquired.

 As well as books the Society currently subscribes to 112 journals, and obtains 116 titles through exchange with its own Transactions (now called the Northumbrian Naturalist).

Early volumes of the Transactions of the Natural History Society (published since 1831)

Early volumes of the Transactions of the Natural History Society (published since 1831)

 

 

 

 

 

 

 

The archives

The archives of the Natural History Society of Northumbria are an important resource for the study of local history, the history of natural history and the history of art in the North East.

They cover all aspects of natural history, zoology, botany and geology and include nationally important material, particularly the original watercolours, drawings and proof engravings by Thomas Bewick, the Northumbrian naturalist and wood engraver.

Watercolour of a frog by Thomas Bewick (c.1790s). From the archive of the Natural History Society of Northumbria

Watercolour of a frog by Thomas Bewick (c.1790s). From the archive of the Natural History Society of Northumbria

The collections contain many manuscripts letters, diaries, notebooks and other autograph material relating to renowned northern naturalists such as Thomas Bewick, Abel Chapman, George Bolam, John Hancock, William Hutton, Thomas John Bold, Thomas Atthey and others. In addition, the Society’s own records, dating from its foundation in 1829, form one of the most complete accounts in existence of the history of a natural history society and its museum collections.

Everyone is welcome to look at the Society’s books and journals, for library opening times please visit the Museum’s website or phone 0191 2223555 for more details.

An appointment will be required to view special collections material and archives.

If you want to find out more about the Natural History Society of Northumbria take a look at their website.

Some new books in the Natural History Society of Northumbria’s collection

Advanced bird ID guide: the Western Palearctic / Nils Van Duivendijk, 2010

Mineralization of England and Wales / R.E. Bevins et al., 2010

A new atlas of the Kent flora / Eric G. Philp, 2010

The illustrated guide to chickens / Celia Lewis, 2010

The Gyrfalcon / Eugene Potapov and Richard Sale, 2005

Hydra and the birth of experimental biology-1744 / Sylvia G. Lenhoff and Howard M. Lenhoff, 1986

Handbook of the birds of the world, vol. 15, Weavers to New World Warblers / Josep del Hoyo, Andrew Elliot, David Christie (eds), 2010

A selection of new books

A selection of new books